About

A lifelong artist, Eleonore Bernair dedicates her talents to the visual arts. Born in Belgium, based in Menorca, Spain, and frequently in the United States, she takes the influences of her travel, dreams, and nature and expresses them on canvas. Her mastery of seascapes uniquely conveys the majesty of nature in a way that is both serene and powerful. 

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Name: Eleonore Bernair

Artistic Medium: pencil, oil painting, voice, love

Birthplace: Brusels, Belgium

Influences: dreams, nature, books, my beloved daughter Shannon Blue, and all the people I love

How it all began:To express my inner world of beauty

Why art? I am thankful to communicate through a medium that goes beyond language. 

In my previous life: I was a recording artist and released a few albums.  I got a taste of show business and left it without regrets.

If you could collaborate with any artists, past or present, who would they be?  Bougereau, Alma Tadema, Jean Leon Gerome 

A Life of Art

1981 - 82 : Fine Art at the Academy of St Luc Art College, Brussels, Belgium 

1983 - 87 : Sculpture at the St Gilles Academy of fine arts, Brussels, Belgium 

1987 - 89 : Worked to restore sculptures for the ministery of national education, Brussels, belgium

1987 - 89 : Fine arts at the Brussels-midi academy of fine arts, Belgium 

1984 - 97 : Various commercial art related projects, such as logos, illustrations for companies. Belgium, France.

1992 - 93 : Paris St Germain Fine art College : figure, Portrait, Clothed Model, Flesh Tones, anatomy, Composition... 

Exhibitions

 

2014

Permanent exhibition in Art'Gallery, Hosseghor, France.

Exposition collective, may 22 to June22. Place du grand Sablon, Belgium.

Permanent exhibition at Gallery Lauth, Mundenheimer Str. 252, 67061 Ludwigshafen, 2013

MU.MA, Galata Museo del Mare, The Big Wave: Hommage a Hokusai, January 10 to January 31, Genova, Italy.

Affordable Art Fair, Bruxelles : February 20- 24 

2012

Abbaye de Dieleghem, Belgium :  Solo exhibition Decembre 05- 20

 Dom-arts Gallery, Dax, France : Permanent exhibition

2011

Communautés européennes, Brussels Belgium : Solo exhibition March 9- May 5

Galerie Venta, Liège, Belgium : « Vues sur mer » May 21-June 12  

Art in Properties, Ohain, Belgium : June 16- 9

Centre culturel d’Etterbeek, Brussels : Solo Exhibition june 31 August  25

Fêtes de la Saint Martin, Belgium: Novembre 12-27

2010

Regards Sur Les Arts, Lamballe, Bretagne, France: September  26th  through Octobre 18th

Pre-selection RTBF canvas collection, Belgium: March 2010

Loungeatude, Louvain la Neuve, Belgium :  Solo exhibition, July- august 

Galerie 826, zeedijck, Knokke, Belgium: Duo exhibition August 1 -30 aout

Banque Degroof, Wavre, Belgium : Solo exhibition Septembre 6 – novembre 30

Exposition a la  galerie Brennart, avenue Louise, Belgium : Novembre 26 - December 26

2009

Moulin du Bloquia, Belgium:  Solo exhibition from July 20 to September  15

Culturel Center of Ganshoren " la villa" 26, Place Guido Gezelle, Ganshoren, Belgium:  Solo exhibition January 30 through February 7

 

A Critical Take

Eléonore Bernair - Feeling reality: 
It seems entirely natural to feel fascinated when looking at Eléonore Bernair's seascape paintings. In an instant, a kind of magnetic pull catapults the viewer deep into the mystery of the powers of nature and at the same time high into altitudes where one easily believes to hear the magic buzz of heaven. The elements of nature seem to be bursting of energy, yet there is a supernatural air around, as if not from this world. The song of the wind and the roll of the sea mix with the whisper of legends of the myths of creation, a sensation that appears to be deeply woven into every centimeter of the paintings. Someone who could not see Bernair's seas might be bewildered about such broad words and possibly suspect them to be from the late nineteenth century, but no, i am writing them right now and these paintings are modern. In fact, very modern. Well - timeless. And now, that you see them, I guess you agree that Eleonore Bernair´s proud statement of reality can cope with even the biggest stage: That´s what is. It´s all yours. Love it! Hyperrealism is the name of this genre of painting. Hyper, because of its intensity, realism, because it appreciates just what there is - a worship of the here and now. 

Very modern, because as much as Bernair's work visibly integrates tradition, it also seems to point somewhere ahead in time, as art should do, revealing schemes of the shape of the plant that time seeds right now. Tradition refers also to history of painting, and in this case one is reminded of the rich technique and opulent aesthetics of symbolist and preraffaelite painters of the nineteenth century, but right, instead of pathetic stories of tragically failed loves or dead heroes, all victims of fate, in Bernair's imagery there is not a single trace of human intervention. She offers her universe pure, no personal hangup wants to bias the viewer. He will always be the first human to discover it again and again, virgin and complete at the same time. The world is mine - I am responsible! That is indeed very a modern statement. And a statement of autonomy. This way, it is the painting that counts, the making of it, the burning of the brushtip when it touches the canvas. No mental concept to illustrate, no smart idea that wants to convince or even teach the viewer. Here, painting is not servant of an analytic mind or a sentimentally straying soul, it simply stands for itself. Intention, image, feeling and technique, all do the same. 

Yes, of course, solid figurative oil painting requires that you know what you are doing. And when you want it to be humming of that magnetic electricity you also need to really feel what you are doing. No doubt, Bernair knows very well what she is doing. All through her life, she dedicated herself to drawing and painting with deep commitment, thoroughly studying mainly traditional approaches. As usual in figurative painting, after miles of experience, the so called moment of takeoff comes, that is the moment, when all the borrowed experience of generations of painters melt together to a new autonomous form of expression, that of your self. Looking at this, in Eléonore Bernairs paintings I claim to discover a painter of unusual magnitude: on one side a daring masculine brushstroke, a determination in approach that can make most guys look poor, a smart, no fuzz handling of her tools. On the other side a velvety softness of tone and mix and a deeply feminine sense of poetry, the furies and fairies always seem to dance above the waves. Every drop of water seems alive. Reality with feeling. Well, there is only one way to really feel what one is doing. It is love.

-Robert Arato